Making It Sing: Microphones For Lead And Background Vocals
For vocalists, the microphone (and the processing that follows) is their instrument
For vocalists, the microphone (and the processing that follows) is their instrument
Two approaches that can pay significant dividends
Why drums acoustically sound the way they do
It can lead to tremendous variations in possible tone
Getting as much as of the dynamic range as possible without going into clip
Taking a tricky thing and breaking it down, backed by audio samples.
Weaving in the solo in a way that supports the music, rather than standing out
Hands-on advice to capably handle a myriad of duties
Some simple tweaks to the signal path can improve the entire system
Every bit as important to the mix as the individual recorded track
Overloading the device’s amplifier to create distortion
Determining the cause of delay and working to a solution
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