Frank Filipetti Selects Sanken Microphones For The Color Purple
Lead music producer and recording engineer/mixer chooses CU-44X MK II, CO-100K, and the new CU-55 studio mics for 2017’s Best Musical Theater Album.
Lead music producer and recording engineer/mixer chooses CU-44X MK II, CO-100K, and the new CU-55 studio mics for 2017’s Best Musical Theater Album.
Dual-capsule design provides a cardioid pattern and low proximity effect for vocals and a wide range of musical applications
WETA audio supervisor employs COS-11D lavalier microphones for the program’s commentators and guests.
Stereo shotgun microphone features a 3-diaphragm electret condenser design for use in broadcasting and film.
Grammy Award-winning producer/engineer selects the CU-55 and CO-100K microphones for acoustic guitars.
Long Reach, Highly Directional with Switchable Rear Rejection and wide frequency response
“I can get that mic position spot-on and know that one click wider or one click narrower on both capsules will land me where I want to be.” — Rob Macomber
Grammy Award-winning recording engineer Frank Filipetti chooses Sanken microphones for historic performance.
Surround recording engineer Michael Bishop explains his use of Sanken microphones for grammy award winning recording.
Working with Berklee’s Rob Jaczko, Chair of the Dept., Massenburg teaches in real recording sessions with students and shares his vast knowledge of recording, as well as bringing new technology and gear.
Latest addition to the Sanken Studio Chromatic Series
Offers an exclusive vertical placement of the diaphragm for a much greater effective area within an extremely small casing
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