Signal To Noise, Episode 134: Front Of House & Monitor Engineer Brandon Blackwell
Charts his fast-paced career path, his work with Kendrick Lamar and many others, mentoring the next generation and more.
Charts his fast-paced career path, his work with Kendrick Lamar and many others, mentoring the next generation and more.
The hosts are in the same room for the first time, and joined by several guests, they talk about getting the most out of trade shows, the attendee versus manufacturer experience, and much more.
A lively discussion about what they are and when they should (and should NOT) be used, and more.
In a special episode presented on YouTube, the hosts and guest hosts are joined by several friends of the show for a light-hearted yet insightful discussion.
Addressing an often-overlooked input, including EQ, dynamics processing, saturation and more, along with how the subwoofer-to-mains-to-room relationship can impact the sound of bass guitar.
Highlighting some of the “best in show” moments of the podcast over the course of the past year with appearances by Dan Leafblad, Victoria Butash, Michael Lawrence and Ben Ivey.
Current FOH for Spanish indie rock band Hinds talks about her start in the business, her approach to learning the craft of audio, the importance of mentors and more.
Talks about interpreting Grammy-winning recordings in a live setting, offers advice on mixing shows with playback elements, discusses his career development, and more.
Effectively capturing and processing guitar tones, including microphone selection and placement as well as what to do when working with a single player as opposed to two or three, and more.
Answers on the key basics of AoE and AoIP. What are the differences? Why would we choose this over copper? Should we go Layer 2 or Layer 3 protocols? And more…
Shares the process behind the band’s recent virtual concert and album release as well as cultivating the experience with a band and bringing that to life in the mix process, prioritizing project workflows, and more.
Behind the scenes on broadcast audio for the NFL, including mixing in the truck, A2 work in the field, RF coordination, parabolic mics, and more.
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