DPA Microphones Selected For International Keyboard Odyssiad And Festival
Recording engineer and producer Mirko Čanji employs 4006A omnidirectional and d:facto vocal microphones for event.
Recording engineer and producer Mirko Čanji employs 4006A omnidirectional and d:facto vocal microphones for event.
Featuring 16-channel UHF frequency agile performance for connectivity in crowded RF environments and stereo operation.
Front of house and monitor engineer Chris Marsh switches to wireless with Digital 9000 for vocal, loop vocal and guitar.
Band’s drummer transitions from analog to digital for mixing his personal monitors on stage.
Newest model in the M-5000 Series features O.H.R.C.A. platform in a compact footprint.
Soundmirror’s Grammy Award-winning team takes 24 channels of Lectrosonics wireless to the Music Center campus in Los Angeles.
Recognized for his work on Vaughan Williams: Dona nobis pacem, Symphony No. 4, The Lark Ascending; using Royer SF-24 and SF-2 microphones.
Interactive show about sound, music & technology to present “The New Business of Music,” on Friday, July 31, 2015.
Point Source Audio’s CR-8S cardioid earworn and CR-8L cardioid lavalier microphones chosen for Alice’s Rock & Roll Adventure.
The d:vote 4099 instrument mics prove themselves ideal for capturing the quartet’s unique acoustic sound.
Veteran front of house engineer uses Studer console with Waves MultiRack and DiGiGrid MGO to run plugins on tour.
Audio consultant John Kriek and sound designer Jeroen ten Brinke switch to d:facto vocal microphones to help Dutch group deliver five sell-out concerts
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