Working with wireless RF, microphone placement, on-stage sound effects and a full orchestra at Hamilton College in Clinton, New York.
In your mixing workflow do you tend to use subgroups, VCAs, or both? How do you tend to organize them, and what advantages are afforded by that workflow?
Digital may now dominate the industry, but analog still has its place in many events for many reasons…
A well-written arrangement keeps the various instruments out of each other’s way right from the beginning…
Considering the different types of preparation we can make to mix with excellence on single events as well as the long-term tours.
Considering a few activities that would be handled differently if we weren’t obsessed with making the show happen.
The goal is to protect the artist’s hearing while giving them a “balanced, clear mix.” Louder isn’t better.