Rising To The Occasion: Using Restrictions & Limitations To Your Advantage
Unless this really is your first rodeo, the excuses run out pretty fast. Every gig, installation or session should enable us to do it better the next time.
Unless this really is your first rodeo, the excuses run out pretty fast. Every gig, installation or session should enable us to do it better the next time.
It’s been a strange journey of slippery slopes, shifting paradigms, uncertainty and more. The author details the situation and strategies to pursue in light of it.
Following this structure has served me well over many years of touring, and using previous work as a template (i.e., for specs) serves as a useful reminder so that no vital aspects get overlooked.
Treading ever so heavily on a sacred stretch of ground that has been detoured around for the past few decades – being in the band and dealing with newer (less experienced) and/or “attitudinal” sound people.
How many freelance stagehands does it take to plug in a cable? It’s not a joke, it’s a serious question.
Observations on why some recording artists and producers are more successful in the studio at accomplishing their goals than other people who are equally or more musically talented…
Most of us can probably remember working a couple of gigs that were polar opposites from an organizational perspective – here are some friendly guidelines for those in charge of making logistical decisions at events.
My goal is simply to envision a healthy balance, do the best I can, and let it go if I fall a bit short. I’ve learned that I can’t focus too much on one activity for an entire day and neglect the other stuff…
Whether you’re new to a city or new to the industry, these approaches can help start start you on the right path.
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