At the Prolight + Sound show in Frankfurt, Roland Systems Group has added to its V-Mixing System lineup by introducing the new R-1000 48-track recorder/player.
The R-1000 is an intuitive stand alone, dedicated recorder/player designed to work with the V-Mixing System and it can also connect with any digital console that has MADI output capabilities by pairing it with the Roland S-MADI REAC MADI Bridge.
As a recorder, the R-1000 captures up to 48 channels of discrete audio all as separate broadcast wave files ready to open in a DAW of choice.
As a playback device it can be used in live events to play back selected channels to augment a live performance or as a multi-channel playback deck in a theater or amusement park application. Sync two units together for a 96-channel recorder/player or sync to video with SMPTE (LTC) or via black burst.
All files are stored on a removable hard disk drive (HDD) or solid-state drive (SSD). Material can also be transferred via USB to a connected drive.
Virtual Sound Checks are now possible when the R-1000 is integrated with a Roland V-Mixer digital console.
Using a song previously recorded on the R-1000, simply switch to playback mode when arriving at a new venue and all the sources play back through the appropriate channels on the console.
Adjust the preamp gains on the console as you would if the band was live and the R-1000 takes care of the gain compensation. Then set compression, EQ, monitors, and effects.
When the band takes the stage, the user can be confident it will sound the way it did during the virtual sound check.
Setup and configuration can be done using the color LCD touch panel on the front panel or with the PC Remote Control software via a USB connection.
The R-1000 is based on REAC (Roland Ethernet Audio Communication) and eliminates the bulk and noise susceptibility typically associated with analog snakes and replaces it with Cat5e/6 (Ethernet/LAN) cable.
The R-1000 records superior audio by capturing the converted sound connected to the Roland digital snake systems. Analog inputs and high-quality mic preamps are located close to the source where audio is immediately converted to 24-bit digital streams and sent over Ethernet.
Using REAC, the digital audio signal is transferred throughout the complete system path en route to the R-1000 hard drive and then back to any outputs and on to limitless split positions. Using the REAC system for recording provides the highest quality possible not found in any other live multi-channel recording solutions.
The North American debut of the R-1000 will be at the upcoming NAB show in Las Vegas, at Roland Systems Group booth #C4345.
