Meyer Sound has announce the acquisition of Audio Rhapsody, a startup founded by sound designer Jonathan Deans focused on theater sound applications, with Deans expected to help develop software to expand the company’s portfolio of integrated digital systems.
With multiple Tony and Drama Desk award nominations to his name, Deans has contributed to hundreds of productions spanning Broadway, the West End, and beyond and crafted soundscapes for 15 Cirque du Soleil productions. His relationship with Meyer Sound goes back to 1978 when he met founders John and Helen Meyer while working on a production of Evita using a Meyer-designed JM-3 loudspeaker. Meyer Sound acquired Deans’ company Level Control Systems in 2005, leading to an expansion of the company’s digital portfolio.
“Jonathan is a recognized leader in the world of theater sound,” says John McMahon, senior vice president of Meyer Sound. “We’re excited to join forces with him and his team as we continue to build upon our successes and expand our investments in the sector. My relationship with Jonathan goes back decades — to my LCS days — and I’m delighted to welcome a long-time friend into the fold.”
“Meyer Sound has been there throughout my career, always providing support and always with an aligned focus on the audience experience, first and foremost,” adds Deans, who assumes the role of Meyer Sound senior specialist, theatrical production systems. “I founded Audio Rhapsody to build tools that remove the silos and barriers to creativity that are inherent in theatrical sound design systems and processes, and I’m so thrilled to complete that journey with a team of people who share the same passion.”
A team of Audio Rhapsody partners joins Meyer Sound, including GRAMMY and Thea Award winner Jason Rauhoff, a former Meyer Sound employee, as product manager, theatrical production systems, Rob Mele, also previously with Meyer Sound, as application architect, theatrical production systems, contributing to the software development team, and Michael Kroll as visual designer, theatrical production systems. Audio Rhapsody’s Mike Tracey will remain an independent advisor.
“Helping people stay connected with platforms that are usable not by the few, but by the many, is really important to me,” says Deans. “This isn’t just about the generation of ‘now,’ it’s the generation that’s coming; the sound people who will be doing things that we haven’t even thought about. Being able to aid them in their creative paths is a rewarding part of this journey, and integrating Audio Rhapsody’s software approach with the excellence of Meyer Sound technologies is a realization of that vision.”
“We’ve always admired Jonathan’s unique and exceptional vision, so this new chapter holds immense value for us,” concludes Helen Meyer. “Jonathan isn’t just a new employee; he’s a dear friend. We’re thrilled to welcome him into the Meyer Sound family, and we are eager to embark on this journey together.”
