In The Studio: The Intangibles Of A Mix
Pushing up some faders, getting a reasonable balance and adding some effects might work for a rough mix, but there’s more to building a great mix…
August 29, 2019
Pushing up some faders, getting a reasonable balance and adding some effects might work for a rough mix, but there’s more to building a great mix…
A look at the pros and cons of several alternatives for engineers, producers and musicians…
It’s possible to attain something reasonable using headphones in the studio, if you’re aware of the pros and cons involved.
If the goal is to get called back for the next session, don’t ruffle any feathers in your noble efforts to make new friends or create more work.
A few steps that might help your venture into low frequency territory a lot easier…
Five reasons why I think concerts don’t sound as good as they could, along with suggestions for improvement.
A video and additional guidlines for a solution that keeps the levels from waking up the baby next door…
Several microphone techniques for capturing audience response to enhance live recordings.
Although there are numerous ways to mike an upright piano, none of them are particularly ideal.
Background vocals requires a different technique than solo vocals for both recording and production in order to get the best result.
There are about as many ways to mike an electric guitar amp cabinet as there are opinions on which music is the best…
There’s so much more that goes into recording an electric guitar that goes beyond just slamming a 57 up against the grill cloth of the speaker cabinet.