Foo Fighters’ “Wasted Light” Mixed & Recorded With An API 1608 Console
“The 1608 had a way of gelling the mixes. I can’t exactly put my finger on why or how, but the reality of it was pretty undeniable.” – album engineer James Brown
“The 1608 had a way of gelling the mixes. I can’t exactly put my finger on why or how, but the reality of it was pretty undeniable.” – album engineer James Brown
See and hear the individual elements of the mix in context, pulled apart – and then re-assembled again
“We are furthering our commitment to our customers with the industry’s most comprehensive amplifier warranty program. Even if a customer accidentally damages the amp, we’ll cover it.” – Marc Kellom, Crown Audio
Just because the musician has control it doesn’t necessarily keep monitors from being a problem
The Steely Dan cut can make any old sound system sound OK, which is why it is used by so many loudspeaker manufacturers for client presentations. The Jackson cut has a lot of snap in the LF – also useful for generating good feelings about the performance of a sound system. Reference discs reveal system performance.
When I’m told there is a sound limit at a venue, I smile – not because I want the limitation to exist, but rather, because I enjoy the challenge.
Improved sonics, flexible feature set and unobtrusive footprint ideal for opening act
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