Composer/Producer Jason T. Miller Scores With Mackie Big Knob
Flexible 2×4, 192 kHz/24-bit USB recording interface with Onyx preamps supports time-sensitive projects for television and commercials.
Flexible 2×4, 192 kHz/24-bit USB recording interface with Onyx preamps supports time-sensitive projects for television and commercials.
Utilizes Audinate’s Dante Brooklyn II module for up to 32 bidirectional channels at 96kHz and 16 birectional channels up to 192k.
Peter Cole operates efficient one-man Studio City audio post-production facility with Dante-networked audio converters and interfaces.
Scarlett 18i8 and 2i2 interfaces support host of the long-running podcast “obsessed with learning how successful people become successful.”
SADiE V6.1.13 audio recording and production system adds a enhancements and bug fixes to improve user experience, as well as compatibility with Windows 10.
Twentyfourseven Sound, Westwind Media and the Formosa Group utilize RedNet and Red ranges of Dante-networked audio converters and interfaces.
Provider of media and post-production services implements a Dante network infrastructure and Focusrite’s RedNet range of audio converters and interfaces.
Taking a look under the hood of a four-channel interface for Dante networks with on-board preamps, headphone monitoring, and battery power connection.
Commercial music composer and sound designer streamlines studio workflow with 64-In / 64-Out Thunderbolt 3 and Pro Tools | HD compatible audio interface.
Front of house engineer John Gale and musical director Matt Robertson support Icelandic pop singer-songwriter with 128-channel MADI interface and software.
Guitarist and engineer for Steve Vai, Steve Lukather, and Larry Carlton utilizes recorder and ADDA converter with Burr-Brown ADCs for a variety or projects.
Twin ISO, Key Largo, ProD8, Reamp X-Amp and ProRMP support band on the road as well as studio projects in converted former church in Drummondville, Quebec.
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