This first part in an ongoing series recorded by Gary Zandstra, Kenton Forsythe discusses EAW’s history and the American way.
Gary Zandstra is a professional AV systems integrator with Parkway Electric and has been involved with sound at his church for more than 25 years.
Inside the work of a Pittsburgh-based non-profit collective network of industry professionals providing production education, workforce programs, hands-on experience and more to the next ...read more →
The “normal” amount of time to mount and broadcast the show was about a week to 10 days, but the “actual” amount of time ...read more →
Viewpoints from numerous mix engineers who are doing high-profile corporate shows and utilizing external plugins, including some who have been using them for many ...read more →
Inside a new tool for eliminating microphone bleed in live performances via a simple analog design that's controlled by the artists on stage.
In a realm where we engineers are normally the maestro of our own domain, we will be sharing leadership of the department with another ...read more →
Working to build the "sonic illusions" that help take a song to the next level...
Five more of the most common live mix mistakes the author's encountered when attending gigs as an audience member as well as some potential ...read more →
The reality for many of us is that we're singly or as a very small team responsible for the majority of responsibilities at shows ...read more →
The bottom line is gaining an overall appreciation of many of the crucial aspects of this entire process, as well as an understanding of ...read more →
If you can influence sound sources in ways that sit better in a mix and support the entire sonic image, it can minimize challenges ...read more →
Anticipating and resolving common issues during the initial stages of recording to keep things moving and improving.
Keeping these simple principles in mind will go a long way toward keeping you busy in corporate audio, where the demand is greater and ...read more →
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