By PSW Staff • September 13, 2010 Prism Sound, manufacturer of the SADiE product range of DAWs, has announced a major addition to its new SADiE 6 release. In an agreement just finalized with iZotope, all SADiE 6 systems will include an expanded audio effect feature set powered by iZotope technology. These features will include: • Reverb • Chorus & Flanger • Analogue Delay • Phaser • Pitch-Shift • Parametric EQ • Single-Band Compressor • Multiband Compressor • Simple Mastering, which includes EQ, reverb, exciter, widener, and a loudness maximizer These nine VST plug-ins make use of SADiE 6’s extended VST capabilities and are in addition to the existing on-board EQ’s, dynamics, aux sends, M/S decoder width control Graphic EQ and Mastering Limiter. All SADiE 6 systems also come with SADiE’s own Hi-dither tools, with the Sound Suite and Mastering Suite packages including Prism Sound‘s legendary Super Noise Shaping dither tools. “The deal with iZotope brings a well respected range of creative tools to SADiE 6, which will prove invaluable to creative radio production professionals and post production specialists alike,” said Peter Nash, SADiE 6 specialist at Prism Sound, said.” “We have worked closely with iZotope to choose precisely the right combination of functionality to allow creativity to be maximised in what is already regarded as the most serious of DAWs used by broadcasters the world over.” “With such a well respected and experienced workflow-orientated editing system as SADiE,” added Alex Westner, iZotope’s Business Development Manager, “we feel we can add to the product’s creative value with a variety of our audio technologies, while introducing the iZotope brand to a new set of customers in the broadcast market.” “In addition, this set of VSTs are tailored for SADiE, fitting into their new graphic look and creative workflow.” Prism Sound Website SADiE Website iZotope Website Comments Have something to say about this PSW content? Leave a comment! Cancel reply Scroll past the ”Post Comment” button below to view any existing comments. Your email address will not be published. Required fields are marked *Comment Name * Email * Website This site uses Akismet to reduce spam. Learn how your comment data is processed. Tagged with: Audio Broadcast IBC Mixing Poll Post Production Recording · all topics Subscribe to Live Sound International Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound.