Church of Our Lady In Zürich Shares The Faith With Help From Renkus-Heinz
Speech intelligibility in reverberant worship space dating back to the late 1800s upgraded with ICC24/3 digitally steerable loudspeakers.
Speech intelligibility in reverberant worship space dating back to the late 1800s upgraded with ICC24/3 digitally steerable loudspeakers.
It really comes back to knowing your congregation and what volume levels work for them. But how do you get there?
House of God Productions deploys VIO L210 arrays at San Diego worship facility and VIO X206 line source loudspeakers at Sacramento, and both are equipped with S118 subwoofers and a host of fill boxes.
Front of house, monitors and broadcast systems all equipped with dLive mix platform joined by DM64 and DM0 MixRacks, with an ME personal mix system deployed for the worship musicians on stage.
Integrators Sound in Church, HouseRight and Uniti Designs all deploy a variety of the company’s products on wireless systems projects.
With the right planning, December can be a time of year that everyone looks forward to rather than dreads…
New system supporting contemporary music and spoken word in Dover incorporates a range of ARTEC series loudspeakers while ARCO series units deliver coverage outside the sanctuary.
Six-campus organization in Texas employing EMBRACE on-ear lavalier microphones for the production of pre-recorded content for online channels that helps play a large role in achieving the reach of the church.
Four houses of worship equipped with a range of models to upgrade sonic quality and/or solve problems, including 4018 goosenecks, 4011 cardioid condensers, wireless d:facto vocal capsules and more.
Addressing everything that happens in the mix between the foundation and the vocals, which is extremely important if you want the song to sound musical and powerful.
RMW Productions outfits acoustically challenging worship sanctuary in Shelby Township with ICLive X Series steerable arrays to meet goals of even coverage and higher intelligibility throughout the space.
Clarifying the differences between the two approaches as well as how our ears perceive direction and distance, psychoacoustic cues that our brain uses to determine direction, and more.
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