Production Sound Mixer Lawrence Chick Chooses Lectrosonics
Digital Hybrid Wireless technology captures “the actual sound of people eating fried chicken” on set for McDonald’s Malaysia.
Digital Hybrid Wireless technology captures “the actual sound of people eating fried chicken” on set for McDonald’s Malaysia.
Atlanta-based sound mixer relies on Digital Hybrid Wireless SQMV transmitters and UCR 411a receivers for feature projects.
Location sound mixer and location recording engineer selects CSR-2 shotgun microphones for feature and documentary film work.
Flexible 2×4, 192 kHz/24-bit USB recording interface with Onyx preamps supports time-sensitive projects for television and commercials.
DM64 MixRack and S7000 surface manage fast-paced monitoring and IEM requirements of the presenters, contestants and musicians.
ON AIR flex and NEXUS Base Devices streamline 5.1 international audio mix of atmosphere from sports events and booth commentary.
“One cable to connect & you’ve got a pro mic, interface, mixer and headphone amp all ready to go for your mobile device or laptop.”
Award to be presented at the 70th Emmy Engineering Awards recognizes significant contributions to television technology and engineering.
Score for Eli Roth’s new thriller utilizes 1920s-era Wurlitzer theatre organ and personal monitor mixing system for 47-piece orchestra.
New 1-RU enclosure accepts slot-in wireless receivers with built-in power and antenna distribution, plus Dante for up to 4 two-channel slot-in receivers.
Cubase Pro DAW supports creative workflow for sci-fi gaming score, Agents of S.H.I.E.L.D., Desperate Housewives, Transformers franchise, and many more.
L-ISA technology with K2 & Kara arrays provide immersive experience for live performances of score at anniversary screenings of Luc Besson’s 1988 cult film.
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