Luke Bryan Utilizes Sensaphonics 2MAX
Monitor engineer Ed Janiszewski is impressed with the comfort, consistency and reliability Sensaphonics provides.
Monitor engineer Ed Janiszewski is impressed with the comfort, consistency and reliability Sensaphonics provides.
Keith’s longtime front of house engineer, Dirk Durham has made the switch to digital, having used the Midas XL4 for many years.
Front of house engineer Scott Pearlman finds his perfect touring solution in a MADI interface and bundle of Waves plugins.
Delicate Productions deploys K1 and K2 line array enclosures for North American Tour in its fifth year as sound provider for the band.
Studnitzky’s scope of music extends far beyond traditional, incorporating elements of acoustic and electric jazz with classical, EDM and pop.
One man’s pursuit of completely natural and accurate live recordings without the use of equalization.
Producer Eddie Stevens uses Audient’s eight channel preamp to capture live performances from the stage.
Meyer’s work with the Grateful Dead extends from the mid-1970s through the band’s last tour with Jerry Garcia in 1995.
The front of house/recording engineer joined the band as they embarked on a 2-year arena and stadium world tour supporting One Direction.
Front of house engineer, Tommy Williams, selects the digital console for recording and recall features to produce consistent performances.
MaxTeam music performance agency in China is responsible for sound production on the tour.
Morris Light and Sound adds SD9 console pair to complement two SD10 desks.
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