AES Announces Broadcast And Streaming Media Track Events
Topics to include immersive audio, audio for 4K and 8K video, podcasting, live event broadcasting and more at 141th International Convention in Los Angeles.
Topics to include immersive audio, audio for 4K and 8K video, podcasting, live event broadcasting and more at 141th International Convention in Los Angeles.
V-Control Pro 2 system for controlling DAWs from tablets, smartphones and laptop browsers now includes pan screen.
Cinefilm and White Mark acoustic consultants select Cinema Reference Monitor System CCS-3, VR8 and CRS8 loudspeakers for UK facility.
200 VIP guests at “Shape the Future of Audio” party in Basel to experience the new immersive audio technology.
Includes 18 broadcast audio plugins for noise reduction, loudness metering, and surround mixing, upmixing and downmixing.
New firmware opens the possibility of spatial audio recording for VR videos and surround sound audio with four-channel recorder.
Bundle includes three plugins – DTS Neural Surround DownMix, DTS Neural Surround UpMix and DTS Neural Mono2Stereo.
DCI Sound selects CFX151-WR loudspeakers for courtyard area where movies and programs being broadcast from the facility are shown.
Production team selects d:dicate 4006A recording and d:screet 4061 miniature mics to create immersive audio experience
SpatialSound Wave technology allows editing of sound effects and create spatial, three-dimensional soundscapes.
Recent projects include the sound track of the latest Natalie Merchant film coinciding with the 20th anniversary of her album, “Tigerlily,”
Audiosmith Digital Solutions selects M2 and 7 Series Master Reference Monitors for New York City orchestral recording studio.
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