“You’re Not A Real Audio Engineer Until You’ve (Fill In The Blank)”
I didn’t really expect serious answers…
I didn’t really expect serious answers…
There are many mic placements to try, but if you’re looking for a new direction this is a great starting point.
Technology has progressed to the point that clients no longer have to come to the studio or even be in the same state in order for them to listen to the mix.
Respected engineer and producer shares techniques and strategies for successful studio sessions learned and developed over an extensive career in new book.
Growing list of product offerings currently includes 39 integrated plugins from Killohearts and D16 Group with additional manufacturers in the works.
New seven-story high studio in the Shibuya area adds 48 channel fully-fitted Legacy AXS console to Studio A with a 32 channel 1608 for Studio B.
L-ISA technology with K2 & Kara arrays provide immersive experience for live performances of score at anniversary screenings of Luc Besson’s 1988 cult film.
Patent for ”Phase inversion filter for correcting low frequency phase distortion in a loudspeaker system” restores phase through inverted phase response.
Looking at multiple factors and techniques for tightening up the relationship between the bass guitar and the kick drum in recorded tracks.
New plugin recreates the echo chamber at Abbey Road studios to create reverbs, delays and other spatial effects from classic recordings by the Beatles and more.
Percussionist and trumpeter utilize SR25 and SR30/HC microphones in the studio to capture acoustic Salsa track, “La Descarga.”
Designed for studio, broadcast and mobile applications utilizing the same proprietary 45 mm large-aperture drivers found in the ATH-M50x model.
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