Listen To The Artist, Not Just The Music
While you may be skilled at listening to the audio coming out of the monitors, how good are you at listening to the artist?
While you may be skilled at listening to the audio coming out of the monitors, how good are you at listening to the artist?
The downsides to the “fix it in the mix” approach…
One of the most overlooked techniques is using equalization to add size to an element, which is particularly important in sparse mixes.
It’s possible to attain something reasonable using headphones in the studio, if you’re aware of the pros and cons involved.
An incredibly useful method to attain ultimate control of the stereo field in your recordings…
Our main goal should always be to help create music that will touch someone emotionally.
Taking time to listen to instruments in the studio prior to recording can make a significant difference in the final product.
Facility’s premier screening room equipped with Acheron Studio loudspeakers for the three screen channels, with LFE program reproduced by three X-800C cinema subwoofers driven by a single Galileo GALAXY 816 Network Platform.
A “wrong” hookup turns out to be invaluable in helping to overcome a singer’s difficulties.
Simple steps to a more organized session as well as fewer headaches when files and tracks must be shared.
Gerry Rafferty’s “Goodnight Train” video explores new tube condenser microphones.
What I’ve noticed about people in the studio, and how you can plan for success.
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