Italy’s Agorà Adds Solid State Logic Live L650 Mixing Console Its Inventory
The decision to purchase the Live L650 model was based both on its configuration and processing capabilities, and it joins the company’s L550 and L200 desks.
The decision to purchase the Live L650 model was based both on its configuration and processing capabilities, and it joins the company’s L550 and L200 desks.
Previously worked with L500 and L550 consoles for clients in the pharmaceutical, tech and automotive industries; cites the L650’s triple-wide fader banks as being the right fit for his mixing style.
S300 digital broadcast audio consoles for both of the student-run high-definition, multi-camera television studios at the college’s Roy H. Park School of Communications.
U.S.-based Harrison has been serving multiple markets since 1975; acquisition brings together two noted music mixing console brands under the Audiotonix technology group.
Provides both channel and object-based workflows for immersive music production and supporting a range of immersive audio formats including Dolby Atmos Music, specifically with 7.1.2 beds.
Developed around a natural-sounding bass synthesis algorithm that utilizes wave inversion to generate a bipolar waveform an octave lower than the source material, with four configurable bands designed to allow users to dial in bass with precision.
Both FOH engineer Nick Todd and monitor mixer Rico Gonzalez employing Live L550+ consoles as well as Fusion processors on The Special Tour of North America, the UK and Europe.
Studio A at Warsaw facility is now equipped with an SSL S500 48-fader surface powered by a T25 Tempest Engine supporting 1,024 I/O and Studio B has a 32-fader version of the S500 surface with a T25 providing 512 I/O.
Kenny “Babyface” Edmonds upgrades facility’s Studio A with a new 48-fader SuperAnalogue console that joins a SSL Duality in Studio B; new desk also includes δelta-Control to integrate with DAW-based workflows.
32-channel analog mixing console facilitates hybrid production workflows in the new production facility at a spa and wellness resort in the Mediterranean Sea.
Following decades of work with large-format Solid State Logic desks with artists such as Tracy Chapman, Duran Duran, Supertramp and others, sets up his own facility employing two BiG SiX consoles and a Fusion analog processor.
New L350 Plus console and ML 32.32 stageboxes deployed in Gig Harbor church’s sanctuary utilized for front of house as well as to distribute monitor signals to the musicians and feed a broadcast stream.
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