More Winning Together: “The Things I Wish Musicians Would Do Differently Are…”
This time around, we ask sound folks what musicians can do differently to help foster a win-win situation.
This time around, we ask sound folks what musicians can do differently to help foster a win-win situation.
Looking at a three-step strategy to deploy and manage cabling for live sound reinforcement to minimize confusion… and embarrassment.
The primary objective in monitor world is making sure the artists on stage are as comfortable as possible so they can focus on the performance, not the sound.
Identifying your particular “type” when it comes to checking a PA. Warning: humor is involved…
The primary objective in monitor world is making the artists on stage are as comfortable as possible so they can focus on the performance, not the sound.
No one wants to have their time wasted on something that could have been prevented with proper preparation.
Accounting for environmental and other changes in the sonic atmosphere between sound check and show time.
A three-step approach that’s easy, follows a logical flow, and can be done in a very short period of time…
Just because it’s been the same way for decades doesn’t mean there’s not a better way…
My sonic vision should be well in line with the way the artist wishes to be presented…
A simple, straightforward gig-saving approach
“It was quite an experience,” says front of house engineer Chris Starklam, who manned a Yamaha M7CL-48, together with monitor engineer Rupert Jones
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