Producer and fellow trumpeter, Gary Grant, selects R-101, R-121, R-122, SF-2, and SF-24 ribbon microphones for latest album project.
Company to demonstrate three-dimensional sound technology utilizing Astro’s SARA 3D audio rendering in Los Angeles.
R-121, R-122V, SF-1, and SF-24 stereo ribbon microphones utilized to capture orchestra performances for music score.
New 3-way sound system design featuring the patented RBN401 pro-ribbon driver.
Recording engineer and producer Ethan Mates Selects Royer R-121, R-122 and SF-24 for band’s latest album.
Outfitted with a 1.8-micron-thick, 2-inch-long ribbon and suitable for use on vocals, guitar amps, drums, strings, brass, piano, and more
Royer Labs microphone’s natural sounding mids / highs and warm character great for vocal reproduction
“We designed the R-101 to exhibit less proximity effect—enabling people who may not be accustomed to using ribbon mics to achieve excellent results.” – Rick Perrotta, Royer Labs