In The Studio: Go Direct Or Deploy Mics For Electric Bass?
Upsides and downsides to both methods, as well as context of when to select one or the other…
Upsides and downsides to both methods, as well as context of when to select one or the other…
You can’t mix a song until you learn to honor the song. You can’t honor a song until you leave your agenda at the door and really, honestly listen to it. j. hall talks about finding the meaning of a song as being one of the keys to great mixing.
A video and additional guidlines for a solution that keeps the levels from waking up the baby next door…
It’s sometimes difficult to record the audience in a way that captures its true sound – here are some techniques and considerations that can help…
You never know unless you try, and you’ll never learn if you’re afraid of pushing buttons, turning knobs and putting a mic where it’s maybe never been placed before.
A case study in breaking the “golden rules” of recording – and getting away with it…
Managing all of the “area” between the extremes, for each and every sound you record, is a skill that’s critical to making a good-sounding recording.
Analog tape is pretty much gone, but there are still ways to achieve the classic magnetic sound…
We work with sound. We work with music. We work with feelings. We must arrive in the musical moment.
Explaining and exploring stereo recording microphone techniques, including coincident pairs, spaced pairs, near-coincident pairs, and baffled omni pairs.
“Creative grouping and routing, combined with the use of ambient microphones placed onstage or at FOH, can result in some stellar live recordings that require little to no post processing.”
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