Focusrite RedNet Preamps Now Remote-Controllable From Yamaha Consoles
Yamaha’s CL/QL recent version 3.1 firmware update adds specific support for RedNet 4 and RedNet MP8R preamps
Yamaha’s CL/QL recent version 3.1 firmware update adds specific support for RedNet 4 and RedNet MP8R preamps
The 676 incorporates the compressor/limiter design from the dbx 162SL and a 3-band parametric EQ for control of dynamics and tonal balance.
Rob Baldock fine-tuning convenient recording kit with Audient preamps joining RME FireFace UFX and a MacBook Pro running Reaper
Singer/songwriter program uses ULN-8 and ULN-2 interfaces and a 3-hour challenge to create original songs.
DiGiGrid IOS features eight mic/line inputs with broadcast/studio-quality preamps and MIDI, S/PDIF and AES ins and outs.
Eight digitally controlled XMAX Class A preamps employ true analog circuitry, with a separate digital volume control circuit.
New interface includes two mic/line inputs, eight line inputs/outputs, 16 AES and ADAT inputs/outputs and two headphone outputs.
Producer Eddie Stevens uses Audient’s eight channel preamp to capture live performances from the stage.
Phil Mulford’s 30-year career encompasses theatre, recording, touring and television – including six series of X-Factor and Britain’s Got Talent.
The Space Heater is an eight channel tube summing mixer with high voltage tube overdrive.
The MC1.1 shares the MC2.1’s analog circuitry, but is suited to the music enthusiast or the project studio with just a single loudspeaker system.
New models in Focusrite’s Dante-based networked audio range feature power supply and Ethernet redundancy
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