Lectrosonics Introduces QP1 Wireless Microphone System: “It’s Outta This World”
Not only can the QP1 System cover great distances instantly, it allows users to communicate between different dimensions
Not only can the QP1 System cover great distances instantly, it allows users to communicate between different dimensions
D-Mitri is a powerful network-based system that encompasses the entire audio chain, from microphone input to loudspeaker output
The Si2 comes in a smaller footprint than its bigger brother, and has 48 mic inputs mapped on 24 faders
The new M7CLv2 software incorporates Global Paste, enabling simultaneous editing of multiple scenes, and Matrix Sends on Fader, providing access to 24 mix buses
The HD1521 two-way and HD1531 three-way incorporate the company’s latest advancements in Class-D amplifier technology, implement patented acoustic correction processing, and more
“It is critical that the FCC’s technical and operational rules — including pre-certification testing rules — ‘get it right’ before mass produced equipment is pushed into the market.” – Mark Brunner, Shure Incorporated
It comes with an internal long life NiMH rechargeable battery that can be charged off either the phantom power on the mic line, or via the 12V DC input, removing battery “throw away” as an issue
The AD-S28Tw incorporates a pair of eight-inch woofers outfitted with polypropylene cones, as well as a bandpass enclosure with a pair of chambers
EB Kerfi chose weather-protected versions of EAW’s MK5300 Series small-format installation loudspeakers with rotatable horns
“When dealing with architecturally sensitive spaces, if you can get large loudspeaker performance out of a small box that virtually disappears, that’s of tremendous value.” – Bill Schuermann, HFP Acoustical
Patented asymmetrical Quadratic Throat Waveguide technology eliminates distortions commonly caused by drivers pushing high sound pressure levels
“We are proud to be a long time user of Crown because of the consistent support we have received from them over the years.Knowing they are 100 percent behind us was a key reason for us to make the move to I-Tech HD.” – Mark Dittmar, Firehouse Productions
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