Are You Always ON? A Bit Of Perspective For The “Amrchair Audio Experts”
A live show is supposed to have a little hair on it. I mean really. Get over it.
A live show is supposed to have a little hair on it. I mean really. Get over it.
Providing performing musicians with very high sound quality and flexibility in their individual stage mix, the M-48 offers control over 40 audio sources that can be easily managed in 16 assignable stereo groups.
One of the latest engineers to take the Midas PRO6 out is Paul ‘Pab’ Boothroyd, who’s midway through the AC/DC Black Ice world tour, with a PRO6 at front of house alongside the vintage Midas PRO40 he’s called back into service.
Simultaneous stompbox-style or preset foot-switching allows vocalists to easily engage and layer the six effect blocks, which include a new, more lush reverb, tap tempo delay, natural doubling, T-Pain-like pitch shifting, distortion and megaphone effects.
The LSR2300 Series includes: the LSR2328P Bi-Amplified 8-inch Studio Monitor with 160 Watts of amplification; the LSR2325P Bi-Amplified 5-inch Studio Monitor with 85 Watts of amplification; and the LSR2310SP Powered 10-inch Studio Subwoofer with an integrated 180 Watt power amplifier.
The mixer also serves as a dual-port FireWire audio interface that can route all channels and buses to and from a Mac or Windows PC. It works with any ASIO-compliant audio application, including Logic, Cubase, Live, Digital Performer, Sonar, and Audition.
Up to eight live performances hosted daily at the Sennheiser booth and performing with the company’s evolution Series microphones throughout the Winter ’09 NAMM Show.
The last sweepstakes drawing is being held in mid-February 2009, so you still have time to enter to win.
The series was created using stringent design philosophies similar to KRK’s flagship close-field monitor, the Exposé E8B.
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