A Straightforward Discussion Of Microphone Variable Polar Patterns
Looking at the obvious advantages of different microphone polar patterns that work most effectively in specific situations.
Looking at the obvious advantages of different microphone polar patterns that work most effectively in specific situations.
The good news is that modern transducers are capable of higher SPL and mini line arrays of sufficient length can provide excellent sound reinforcement for smaller venues
The supercardioid polar pattern of the TM-125C helps gain-before-feedback
Ten W8LM line array modules are flown per side, each with a W8LMD downfill, and six more W8LMs (plus an W8LMD) are rigged on each side for outfill
Microphones for vocals, piano and acoustic instruments including guitar, violin, and mandolin
“We needed a system that was able to achieve high resolution audio through the extreme dynamic range of acts on the stage, whilst also giving us tight enough pattern control to stop feedback.” – Alex Lindsay, Audioforum
TSAV implemented eight NEXO GEO S1210 line array loudspeakers and two GEO S1230s line array loudspeakers for as down fills
EVA is modular, with four two-way models available that provide a range of coverage pattern, and units may be assembled in various configurations to provide the required coverage
In total, the entire microphone series are available in more than 6,840 customizable settings
The JM-1P delivers controlled coverage while minimizing reverberation in large or reflective acoustical environments
A look at the tuning process – for subwoofers in particular – for an annual festival featuring performances by some of the top DJs in the world (Also be sure to check out “An Overview Of EASERA SysTune” by Charlie Hughes)
The three horn enclosures have been designed to cater for a range of typical applications and offer some industry standard dispersion patterns
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