The Glory Of Live Strings
A few tricks and tips for optimizing the mix of live stringed instruments in a concert-level performance.
A few tricks and tips for optimizing the mix of live stringed instruments in a concert-level performance.
Our panel of veteran professionals for this Roundtable article provides a wealth of invaluable information about audio and much more.
Examining a variation of the spaced-pair, developed by Decca Records, as compromise between stereo pair and multi-mic arrays for orchestral recording.
Collaborative effort at UdK Concert Hall compares orchestral instruments from multiple positions with stereo pairs of d:dicate 4006A omnidirectional mics.
Film moves from the cinemas to the road with SD-Range of digital consoles supporting a live orchestra, jazz ensemble, and choir.
Independent engineer utilizes R-122V vacuum tube ribbon, R-121 ribbon, and SF-12 stereo ribbon microphones for percussion and orchestral recordings.
Former chief engineer for the audiophile Telarc label utilizes the “old school” method of mixing live on the fly with spectacular results.
Studio and live mixing engineer Russ Long deploys the d:facto vocal mic for delicate vocals with d:screet 4061 and d:vote 4099 capturing a full orchestra.
Going beyond opinions and theories to weigh out the pros and cons of those “special” cables…
Looking at an alternative technique to “ringing out” a system, to adjust response across the entire audio frequency range.
The path to making optimal choices with sound reinforcement systems…
Harlem-based musical charity organization founded by late GRAMMY Award-winning music producer/engineer seeks support for under-privileged children.
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