Working On The Stage Sound—Moving From Mixing House To Monitors
This end of the snake presents a very different set of challenges…
This end of the snake presents a very different set of challenges…
Behind the scenes with an up-and-coming touring monitor engineer who’s found her happy place.
Designed to acquire a person’s exclusive acoustic attributes to create a detailed modeling of their unique anatomical features affecting hearing.
A comment that can provoke an endless string of errors, turning the strongest mix master into a blithering idiot…
Both models in series Core 7 and Core 59 have digital inputs (AES3), support up to 24-bit/192 kHz signals, and are designed for flexible positioning.
Designed provide very flat frequency response and a highly linear phase response.
Moving beyond stereo IEMs into a high-definition experience with 3D in-ear monitoring systems.
Often given little thought compared to other parts of the studio, the ceiling and floor are critical. Have you made any of these very avoidable mistakes?
What do we know about how the brain and ears work together to create the auditory response, and how can we make use of it in our mixes?
SoundGirls to discuss hearing health, live sound, noise-induced loss and how to prevent it with Dr. Julie Glick of Musicians Hearing Solutions.
DL32R rack-mount digital mixer and new MP-series IEMs provides 7-piece band with self-contained monitor rig.
Educating musicians about what is actually needed in their monitor mixes to counter escalating levels…
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