In The Studio: Troubleshooting Drum Sounds
Each situation is different and ultimately the sound depends upon the drums, the drummer, the song, the arrangement, and even the other players.
Each situation is different and ultimately the sound depends upon the drums, the drummer, the song, the arrangement, and even the other players.
Is the audience listening to the song and a solid mix or just a barrage of inputs, with each one fighting to be the loudest?
Having even one of these attributes doesn’t necessarily mean that you mix is bad, only that it’s not yet finished.
Mix Engineer Richard Furch uses Metric Halo Channel Strip plug-in on most channels when working on a mix.
Did you ever imagine OSM would take pity on an innocent young engineer who is being unfairly tormented on a gig, by a mean old wanker?
Flying Colors uses a PreSonus ADL 700 for recording purposes.
Particularly in club sound, the proper use of effects can leave the audience with the impression that they’ve heard a full-blown concert
Big band. Big sound. Small stage. Loud guitar. What to do?
The “man behind the audio board” for Tony Bennett, and Frank Sinatra before him, shares some of the lessons and insights he’s learned from decades of developing his craft.
House mix engineers from a wide variety of tours provide their views on digital consoles, as well as touring systems in general.
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