Quality But Cost-Effective Microphone Solutions For Recording Drums
A discussion that began in the Harvey Gerst REP Recording Forum here on ProSoundWeb that provides relevant/useful points and references.
A discussion that began in the Harvey Gerst REP Recording Forum here on ProSoundWeb that provides relevant/useful points and references.
Advice on cleaning and maintaining microphones to ensure their continued reliability
The choice of mics and the engineers’ methods for keeping them from becoming casualties of the band’s stage mayhem is lean, clean and detailed.
So where do we start in this pursuit of the “best” in all aspects of instrument mic’ing?
There are a number of misinformed concepts about drum sound in pop sound reinforcement and these are equally wrong when applied to sound reinforcement in contemporary worship music
Tips and tricks for the engineer who’s working on an audio / video project.
Looking at operating principles and differences in approach for the piece of equipment that’s the “first point of contact” in the system
Dynamic, condenser, cardioid, supercardioid, hypercardioid – how they work and insight on uses
These interviews are often guerrilla audio because you’re working under far less than ideal conditions. Here are some tips to help you make the best of a difficult situation.
They can enhance quality, but exercise caution.
As always, just one man’s opinion.
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