Meyer Sound Anchors Audio Upgrade At The Fillmore In San Francisco
UltraSound completes first PANTHER club installation at iconic live music venue that has presented a range of legendary acts over the course of its six-decade history.
UltraSound completes first PANTHER club installation at iconic live music venue that has presented a range of legendary acts over the course of its six-decade history.
UltraSound deploys large-scale system headed by PANTHER line arrays for the second consecutive year at the festival’s Lands End main stage.
For the second straight year, UltraSound supplies a concert reinforcement system headed by PANTHER large-format line arrays joined by a range of supporting components.
Scalable system supplied by Major Tom comprised 18 PANTHER loudspeakers per side joined by LEOPARD arrays for outfills plus 1100-LFC elements on the ground to reinforce the low end.
Anchored in the front left-center-right channels by Meyer Sound’s Bluehorn System full-bandwidth monitoring, the new immersive environment has been used exclusively by studio owner Manny Marroquin for, in his estimation, more than 200 Atmos mixes of songs.
More than 380 of the company’s loudspeakers were deployed across festival sites, with the 4,000-capacity Auditorium Stravinski outfitted with a system headed by PANTHER large-format line arrays.
A complement of 141 PANTHER loudspeakers were deployed at the Orange Stage as well as for outfills, center fills, and the five delay towers.
Large-format line arrays provided by Music Matters Productions serving the Cadence Bank Amphitheatre’s summer concert season in addition to traveling in the region to support additional performances.
Integrator Morgan Sound deploys acoustic system working with 110 Meyer Sound loudspeakers in four sub-systems at new Raisbeck Auditorium.
Main system incorporates 288 PANTHER large-format line array loudspeakers in main sound reinforcement system arranged in three concentric rings in every venue.
More than 400 self-powered loudspeakers utilized in systems serving the venue’s 17 restaurants, numerous common areas, and more.
Sound designer Kai Harada’s systems for “New York, New York” and “Kimberly Akimbo” utilize 15 different Meyer Sound loudspeakers, both current and legacy models, with nine of those models specified for both productions.
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