RE/P Files: Control Room Design For The Small Studio
A focus on eliminating severe resonant modes and establishing the low-frequency response of the room, and much more…
A focus on eliminating severe resonant modes and establishing the low-frequency response of the room, and much more…
The nature of peak and average levels of music and speech, methods of dealing with signal peaks, and more.
Researching the impact of drop ceiling tiles utilizing two key parameters of how sound behaves within a room.
Loudspeakers are not so easily defined as arrayable or not arrayable – they all possess both characteristics to some degree, and in practice the issue is complex and involves an understanding of several key factors.
Despite the challenges, when recommended procedures are followed using quality test equipment, it’s possible to make good, repeatable measurements.
Accounting for the increased offset in capsule depth between dynamic and condenser mics and the impact it has on “sensitivity.”
Now that we have more power in our systems than we could have imagined even a relatively short time ago, maybe it’s time to use this power more wisely.
There are two ways to assess the quality of audio devices: measuring and listening.
Hearing the problem is not the same as quantifying the problem and then developing a solution to correct it.
Having the right gear is important but knowing how to deploy it is vital to the end result…
Observations on loudspeaker directivity; 90 degrees by 60 degrees at what frequency?
In a mathematically, theoretically perfect world everything works best if it’s all nice and parallel; however that’s not the world we live in.
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