The Judgment Triangle, a.k.a., You May Be Right, I May Be Crazy
Before engaging in, uh, “passionate discussion,” it’s critical to ask oneself a single question: “Am I willing to allow for the possibility that I might be wrong?”
Before engaging in, uh, “passionate discussion,” it’s critical to ask oneself a single question: “Am I willing to allow for the possibility that I might be wrong?”
Tackling inverted frequency response, lavalier microphone challenges, and the old “egg crates as acoustic treatment” trick.
It seems that the vast majority of the problems encountered with audio in church can be boiled down into just a few categories…
Answering a simple question from a reader to explain the purpose and value of direct injection.
As technologies and gear continue to advance, let’s not feel threatened and “disarmed.” Instead, let’s flip it on its head and blow people’s minds.
Ignoring the bounds of reality and R&D budgets, an engineer defines his ideal mix tool.
In a properly designed audio system, EQs are like nuts and bolts: each one has a specific job to do.
Clearing the air regarding a myth that dates back to at least 1938…
What’s actually going on behind the scenes of terms such as color, warmth, and character that contribute to a device’s signature sound.
An eye-opening exercise that can bring us to another level of “awareness” with music, which can positively impact the mix.
An overkill production spec that the client will never pay off is just as irresponsible as a corner-cutting spec.
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