At The Source: Quality Starts With Good Levels
Taking advantage of a low noise floor and leaving plenty of headroom when tracking and mixing.
Taking advantage of a low noise floor and leaving plenty of headroom when tracking and mixing.
Each musician is different, and if you don’t figure out how to create a comfortable environment, the rest of the process is going to be difficult.
If you’re guilty of any (or all) of these, don’t worry. I am, too
Knowing what you want or what you’re missing from your current recording rig is key in knowing what questions to ask.
Your job as a mix engineer is to predict these differences and accommodate for them as best you can
What the old-school folks did, and it worked well for them
We can learn a lot from listening to orchestral music
While you may be skilled at listening to the audio coming out of the monitors, how good are you at listening to the artist?
Doing something just because everyone else does it sometimes leads to a fairly boring experience…
Let the recorded material speak for itself or pocket each track?
Which myth are you guilty of believing? Hint: the author’s believed ALL of them at some point…
Taking time to listen to instruments in the studio prior to recording can make a significant difference in the final product.
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