Exclusive Interview: Alan Parsons Speaks Out On His Work, Career, Audiophiles & More
Producer, musician and sound engineer of Pink Floyd’s Dark Side of the Moon, says audiophiles overpay for equipment while ignoring room acoustics
Producer, musician and sound engineer of Pink Floyd’s Dark Side of the Moon, says audiophiles overpay for equipment while ignoring room acoustics
“I do what sounds right to me. I guess I’ve been lucky that my taste seems to work for others.”
Part 2 of insights shared by Engineer/Producer Hugh Padgham, who was behind some of the greatest recordings of the 1980s and 1990s era, including how he created the unique Phil Collins drum sound, approaches to working with artists, his views on the ups and downs of digital, career advice, and more.
The mastering engineer for thousands of albums over two-plus decades talks about past, present and future of what some call the “dark art” and touches on a wide range of topics such as the great volume wars and working to serve the music
Insight from a skilled composer, guitarist, and author.
Long recognized as the foremost practitioner of condenser microphone modifications in America (Interview first published on PSW in 2002)
Tips, tricks, and advice from a Latin engineering star.
The story of an engineer who continues to pursue his favorite pastime.
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