#5: Finding The Sweet Spot: Getting The Desired Vocal Sound In IEM Mixes
The goal is to protect the artist’s hearing while giving them a “balanced, clear mix.” Louder isn’t better.
December 31, 2020
The goal is to protect the artist’s hearing while giving them a “balanced, clear mix.” Louder isn’t better.
Those seeking a successful and long-lasting career as an IEM engineer should be aware of these four key concepts at all times.
Production space in LA that’s risen out of the pandemic employing DiGiCo Quantum7 and SD12 pair loaded with KLANG immersive technology.
Those seeking a successful and long-lasting career as an IEM engineer should be aware of these four key concepts at all times.
Attaining accurate frequency response data from headphones and in-ear monitors has long been a ‘missing link’ in a quality monitoring signal chain.
The goal is to protect the artist’s hearing while giving them a “balanced, clear mix.” Louder isn’t better.
New ASI Audio x Sensaphonics system combines Active Ambient technology with app-controlled sound tools for music enhancement.
Evan MacKenzie is driving company’s marketing efforts and building a sales network; Charlene Clements helping to build sales operations in MI and audiological channels.
New compact system offers rechargeable lithium-ion batteries, automatic pairing and 24-bit/48 kHz digital transmission with a latency of less than 5.6ms.
Main campus in Huntsville, Alabama picks KLANG:fabrik immersive in-ear monitor mixing system as first step of a multi-phased initiative to update its worship center.
S&S Production Services manages tight performance schedule for faith-based event with dLive C3500 on monitors and SQ-7 at front of house.
Key steps in the early days and milestones to where we are today