Microfiles: The Stylish Teisco TM-4 Microphone
A dynamic design from a Japan-based manufacturer with switchable impedance via a high/low switch mounted under the head with impedance stated as “Hi-50K Ohms, Lo-600 Ohms.”
A dynamic design from a Japan-based manufacturer with switchable impedance via a high/low switch mounted under the head with impedance stated as “Hi-50K Ohms, Lo-600 Ohms.”
Long ago, the author was inspired to create an equalizer that would use LEDs to let even untrained users adjust its bands for a flat response. Here’s how it went…
From the April 1983 issue of the late, great Recording Engineer/Producer (RE/P) magazine, David Scheirman takes a look inside the Willie Nelson & Family tour of 1983.
An excerpt “Make Mine Music” that’s rife with need-to-know history and personal stories
For a generation, the jukebox at the local hang-out was the only place that some of the “hippest” and latest rock and roll could be heard.
Inside the evolution and development of sounds through the decades that have become marketable commodities.
A pioneer of large-scale sound reinforcement, including systems for the Beatles, the Filmore, and Woodstock, reflects on the early years of rock and roll.
A history lesson on the origins, types, and usefulness of audio meters as well as the industry measurement standards created during development.
Searching for the truth about ribbon microphones and the potential damage from DC voltage.
From the January 1989 issue of Recording Engineer/Producer (RE/P) magazine, looking at the record-breaking, 500 kW system deployed for Iron Maiden in 1988.
Fixture of the music and broadcast industry in the 1940s joins museum’s 20th and 21st-century architecture and design permanent collection.
Looking back at the original plan and system for the 1958 show with headliners Billie Holiday, Dizzie Gillespie, Dave Brubeck, and Louis Armstrong.
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