Microfiles: The Primo UD-863, A Distinctive (Looking) Microphone Circa The 1960s
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
Adventures in stepping up to be the account manager for the middle of three dates that the sound company was doing on a traveling rock festival.
Modifications to the JM-3 as well as later developments that include the JM-10 full-range loudspeaker along with JM-5 and JM-7 subwoofers.
A fledgling audio professional still in high school steps up to assemble a crew and support the West River Festival on Prince Edward Island in 1978.
The story of the creation of a three-way loudspeaker in a single enclosure, compact enough to fit into a jet cargo hold, sounding just as brilliant as the Altec 604 but 10 times louder.
On the upside, there were several valuable lessons learned as the author and crew worked to live up to the mantra “the show must go on.”
An in-depth look at the house sound reinforcement system, components and approach for a large-scale concert more than 40 years ago.
The fascinating career of the first woman record producer for a major record label and one of the first women in the world to work in A&R.
Recalling several unique aspects of a successful effort by the sound team in support of a legendary country artist.
An answer to the need of drummers for more cue volume from an article that originally appeared in the October 1979 issue of Recording Engineer/Producer (RE/P) magazine.
From the files of the late, great Recording Engineer/Producer (RE/P) magazine, an October 1979 in-depth profile of the monitoring system and approach of a popular music act of the era.
Connecticut-based company founded by Toni Fishman commemorating two decades as the 21st century revival of the original TELEFUNKEN GmbH founded in Germany in 1903.
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