Careful With That Ax, Eugene: An Approach To Optimizing Guitars In The Mix
Presenting electric guitar tones accurately and with some degree of isolation from the other onstage noise makers.
Presenting electric guitar tones accurately and with some degree of isolation from the other onstage noise makers.
Many only think about placing microphones in front of the guitars, but savvy engineers and producers know that a number of things can be done to enhance a session before it even begins.
Our panel of audio veterans on getting a better handle on “those things with strings.”
Learning to apply diligence and discipline to your engineering skills by understanding the mind and techniques of a musician.
A veteran mix engineer shares some tricks and techniques for managing multiple guitars in stereo or mono mixing scenarios.
Capturing clean vocals, and vocals with acoustic guitars, with large diaphragm condenser mics in home and smaller studios as well as in the live sound realm.
Addressing problems that are common to guitarists who struggle to perform with an audio system.
Upsides and downsides to both methods, as well as context of when to select one or the other…
Creating a great electric guitar sound in the mix starts with respecting the tone – it’s here where two common mistakes are made…
With direct guitar recording into virtual amps you can rock out through the guitar chain of your dreams without the neighbors calling the cops.
Mixing a small number of channels while retaining the full frequency spectrum, intimacy, and dynamics may be the pinnacle of the craft.
There’s so much more that goes into recording an electric guitar that goes beyond just slamming a 57 up against the grille cloth of the speaker cabinet.
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