Properly Setting Sound System Gain Structure By Chuck McGregor • May 21, 2019 Editor’s note: This piece goes back a few years but it’s full of information still very much relevant today. Realistically, audio signals at or near… Read More
Ask Jonah: Answering Reader Questions About Feedback, Acoustics & Analyzers By Jonah Altrove • December 7, 2018 Dear Jonah: My audio analyzer software has an option to invert the frequency response. Why would I want to do this? – John B. An… Read More
In The Studio: Mastering Compressor Tips By Bobby Owsinski • December 5, 2018 With powerful mastering tools now available to everyone, it’s easy to do more harm than good when self-mastering. Although you’re always better off going to… Read More
Make It Stop! There’s No Excuse For Loud, Bad Sound By Karl Winkler • November 27, 2018 Preserving our hearing is critically important, but that’s not what motivated me to write this piece. Really, I just can’t stand bad sound! To a… Read More
Church Sound: 2.5 Ways To Set Up Input Gain By Mike Sessler • October 22, 2018 One of those things you have to get right Read More
Church Sound: Of All The Knobs On The Console, This One Is The Key… By Mike Sessler • October 15, 2018 Getting this right just makes your day go so much easier Read More
Church Sound: Don’t Forget The Basics By Mike Sessler • April 11, 2017 This article is provided by ChurchTechArts. One of the cool things I get to do is travel around to… Read More
In The Studio: Gain Structure And Recording/Mixing Paths By Bruce A. Miller • January 15, 2016 This article is provided by BAMaudioschool.com. Signal path refers to the path that sound makes while being… Read More
In The Studio: 4 Tips For Better Gain Staging By Mark Marshall • August 6, 2014 This article is provided by the Pro Audio Files. Maintaining proper levels throughout your signal chain… Read More
Church Sound Basics: Proper Console Gain Structure, Maximizing Signal-To-Noise Ratio By Jon Baumgartner • May 31, 2011 Getting to the benefits of unity gain while eliminating system "hiss" and lessening the possibility of distortion Read More
Stereo, Surround & More: A Look At The Core Sound TetraMic Microphone By Bruce Bartlett • August 8, 2009 TetraMic is the first portable, coincident, stereo and surround-sound Ambisonic soundfield microphone under $1,000; here's a thorough look at how it works and applications Read More
JBL Announces Fall Training Dates For Worldwide VERTEC System Users Group By PSW Staff • July 31, 2009 Program is appropriate for VERTEC system owners and technicians, performance-venue audio staff who work with VERTEC system products in permanent facilities, and independent system engineers who encounter VERTEC systems in touring situations Read More
Euphonix Artist Series Media Controllers Supported in Apple’s New Final Cut Studio By PSW Staff • July 28, 2009 Apple integrates Euphonix EuCon control protocol into video applications Read More
Ultra Sound Rehearsal Studios Expands & Upgrades Its Selection Of Sennheiser, Neumann Microphones By PSW Staff • July 27, 2009 Microphones for vocals, piano and acoustic instruments including guitar, violin, and mandolin Read More
Powersoft Reports Record High Sales Figures For First Half Of 2009 By PSW Staff • July 24, 2009 New offices, production facilities, software and amplifier products support increased demand Read More
