Deep Purple Rocks Dubai Bike Week With JBL VERTEC Line Arrays Supplied By SLS Productions
Crown Audio I-Tech and Macro-Tech Series amplifiers powered the loudspeakers
Crown Audio I-Tech and Macro-Tech Series amplifiers powered the loudspeakers
For the project, Kramer utilized a 5.1 surround system comprised of JBL LSR6300 series studio monitors during his mix sessions
Ten W8LM line array modules are flown per side, each with a W8LMD downfill, and six more W8LMs (plus an W8LMD) are rigged on each side for outfill
“It was quite an experience,” says front of house engineer Chris Starklam, who manned a Yamaha M7CL-48, together with monitor engineer Rupert Jones
At the annual Hot 97, Eighth Day supported all acts, including Mary J. Blige, Jadakiss, T-Pain, Young Jeezy and Elephant Man, while at Bonnaroo, they handled the main music stage (in addition to a handful of the secondary stages) for a diverse lineup that included Erikah Badu, Wailing Souls, Snoop Dogg, Galactic, The Itals, and Rodrigo Y Gabriella
The event’s principal production provider, Clearwing Productions, put the K-array systems to use at one of 11 stages at the lakefront festival park, in addition to integrating Sennheiser evolution Series wired microphones at the U.S. Cellular Connection Stage
“We were tasked to step things up for the festival as their previous audio supplier had used conventional speaker systems that washed sound in areas, causing some noise bylaw issues. The Martin Audio W8LM line array system was perfect for this job.” – Steve Williams, Northwest Global Entertainment
Leading events/touring supplier selects EAW products to augment its gear inventory
Airshow Matering utilizes Metric Halo ULN-8 multichannel and ULN-2 two-channel interfaces for a variety of applications
The stage currently features twin arrays of eight Versarray 212 enclosures per side plus 16 Versarray 218 subwoofers
Sacramento Production Services provides clear audio front to back with W8LCs
“We needed a system that was able to achieve high resolution audio through the extreme dynamic range of acts on the stage, whilst also giving us tight enough pattern control to stop feedback.” – Alex Lindsay, Audioforum
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