Church Sound: Of All The Knobs On The Console, This One Is The Key…
Get it set wrong and no amount of fading, EQ or outboard processing will fix it. Get it right and the rest of your mix will come together much, much easier.
Get it set wrong and no amount of fading, EQ or outboard processing will fix it. Get it right and the rest of your mix will come together much, much easier.
With a strong foundation, you can build almost anything on it that you or your clients can imagine.
Getting past the fear of experimenting with effects and learning to add complimentary textures.
The best time to identify and solve any problems at an upcoming show is…?
Acknowledging how awesome all this technology is, and cutting it some slack when it doesn’t work right.
Continuing the discussion of working toward a semi-silent stage.
Whether you’re a mix engineer, system tech, technical ministry leader or a sound crew member, some universal concepts apply…
What’s expected of an assistant and how to run a professional session; it’s not all about the technical side…
Is the audience listening to the song and a solid mix or just a barrage of inputs, with each one fighting to be the loudest?
An overview on setting up and using parallel compression, as well as tips to get the best of this highly effective technique…
Looking into the promise of perfect audio and the Nyquist Theorem.
It isn’t exactly rocket science, but you need to do your homework
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