RE/P Files: Studio Design And Construction
A wealth of knowledge on live-end/dead-end acoustics from the June 1982 archives of the late, great Recording Engineer/Producer (RE/P) magazine.
A wealth of knowledge on live-end/dead-end acoustics from the June 1982 archives of the late, great Recording Engineer/Producer (RE/P) magazine.
Have we reached the point where we actually prefer processing and loops to real instruments?
A “tweaking process” for both rehearsals and live gigs for a better, more engaging mix
The latest and greatest technology will never completely eliminate the need for properly trained humans.
What’s wrong with this Steve guy? He has a lifestyle that 80 percent of humanity cannot even dream of achieving, yet he wants to throw it all away?
Practical tips on tying together a wide range of factors to reach the desired destination…
Sometimes there’s more than one answer to a question, particularly when it comes to loudspeakers…
Five reasons why I think concerts don’t sound as good as they could, along with suggestions for improvement.
Several microphone techniques for capturing audience response to enhance live recordings.
Do you really enjoy coiling up XLR cables? Because you’re going to have to, about a million of them over time…
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