A Veteran Mastering Engineer’s View On A Quality Mix
Outlining some of the most common problems he when receiving mixes from clients…
Outlining some of the most common problems he when receiving mixes from clients…
Each musician is different, and if you don’t figure out how to create a comfortable environment, the rest of the process is going to be difficult.
Who would have thought revisiting the “old school” could be so exciting?
Upsides and downsides to both methods, as well as context of when to select one or the other…
You can’t mix a song until you learn to honor the song. You can’t honor a song until you leave your agenda at the door and really, honestly listen to it. j. hall talks about finding the meaning of a song as being one of the keys to great mixing.
While on the surface it may seem that stereo offers just a version of dual mono, there is a lot more to it than just two simple channels…
A method to get up and running at a gig as quickly as possible, catch potential problems early, and dial in a good mix, all without bugging the artists.
The bottom line is to never quit aspiring for more information and more experience. Never become stagnant. Always be moving, and always be striving.
Workflow strategies for mixing monitors (wedges and in-ear monitors) from front of house, in addition to stage techniques to maximize monitoring success.
Don’t be discouraged—we’ve all experienced these (and more) over the course of our careers. The key is avoiding repeats…
By eliminating seven characteristics of amateur mixes while emphasizing six elements of great ones, you may be be surprised at just how good a song can sound.
Establishing how much room there is to be creative — and where the canvas ends.
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