Drum Tracks: The Human vs. The Machine
Do you typically track drums in the studio or do you find yourself doing a lot of drum replacement? Whatever your method, engineer Joe Gilder takes a look at your options.
Do you typically track drums in the studio or do you find yourself doing a lot of drum replacement? Whatever your method, engineer Joe Gilder takes a look at your options.
Limiting dynamic range of the overall drum mix to create a thicker and more cohesive sound.
Creator of educational drum lesson website, MikesLessons.com, find his ideal sound with cardioid condenser instrument microphones.
Engineer for Austin’s Nomad Sound and Continental Club selects M80, M82 and M60 mics for Jane’s Addiction and Social Distortion.
The benefit of drums derives from appropriate usage; a look at approaches and options…
Microphone selection and techniques for a range of acoustic instruments.
Front of house engineer Ken “Pooch” Van Druten utilizing M80 for vocals and a variety of T-Funk mics on live instruments.
Artist creates studio in new home with LENRD Bass Traps, ProPanel ProClouds, SubDude subwoofer acoustic isolation platforms, and more.
Identifying the three primary factors in creating the desired snare drum sound…
Provides authentic acoustic drum loops inspired by virtual instruments created for John Debney’s work on “The Jungle Book.”
Front of house mix engineer Jose A. Rivera Jr. chooses d:vote 4099D and d:dicate 2011C for current tour of the United States and Puerto Rico.
Problems often happen in live audio, but their likelihood of occurring can be minimized with a little preparation.
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