Highway Sound Chooses Electro-Voice Gear To Support Fountains Of Wayne In Concert
Fire Island event presented some unique sound reinforcement challenges
Fire Island event presented some unique sound reinforcement challenges
Sacramento Production Services provides clear audio front to back with W8LCs
The group needed compact consoles to handle FOH and monitor necessities, with a small footprint that could handle the varying venue sizes with ease
“We might be using the mics in different applications but they’re really coming through.” – Tracy Broussard, drummer
New dual-screen filter designed especially for high SPL environments
“We chose to maintain the two Crowley and Tripp Roswellite models, the El Diablo and the Naked Eye, and bring them into our KSM portfolio as the KSM353 and KSM313.” – Chad Wiggins, Shure
Of the 350 mics, 16 operated on Shure UHF-R wireless systems
“We designed a system to provide audio that met the standards of both live performance and television broadcast, configured to blend in seamlessly with the set design.” – Jeff Peterson, Green Audio
High-volume stage & small venue subwoofer joins MiW12 and MW15 in the MicroWedge Series
“The PL80 has a very warm-sounding high end – you get all the top end you want without any shrillness.” – Sean Peel, FOH Engineer
Sound Engineer Mike Fanuele also used Sennheiser mics on Bun E. Carlos’ drums, including an e 902 on bass and e 904s on toms and bottom snare
This was the first multiple PRO6 setup to feature a single stage box
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