Antelope Audio Introduces New 10MX Atomic Clock
Building on the 10M Atomic Clock and Trinity Master Clock with improved sonic imaging and supporting sampling rates up to 768 kHz
Building on the 10M Atomic Clock and Trinity Master Clock with improved sonic imaging and supporting sampling rates up to 768 kHz
Peltrix owner and former Blue Note front of house, Amit Peleg, selects console for live recording.
Allentown-based A/V technology firm CSi designs user-friendly system around Pema 8250.70 8×8 mixer/amplifier.
New family of multi-channel amplifiers feature integrated digital signal processing and network control.
Historic church in Singapore replaces analog mixers with Qu-32 compact digital consoles to overcome a variety of challenges.
Communicator Madang supplies a GLD-80 digital mixer, AR2412 and two AR0804 audio racks for recent production.
Corner Audio & Video eliminates the limitations imposed by the old auto-mix system with wall-mounted remote volume controls.
With the help of a local farmer and an SSL AWS 948, The Toy Box Studio becomes Haybale Studio at the Bonnaroo Festival.
Head audio engineer Bob Workman deploys DWX digital wireless handheld transmitters with Heil Sound mic capsules
British metal band selects GLD-80 for front of house with an iDR-48 MixRack and iLive-R72 Control Surface for monitors on tour with Slipknot.
Production director Brandon Thompson depends on SoundGrid Technology, Waves Tracks Live, and Waves Plugins.
NTP Technology to launch new MADI and AES3 cards plus Cue | Mix and enhanced Pro | Mon functionality for DAD AX32 at AES New York
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