RE/P Files: Studio Design And Construction
A wealth of knowledge on live-end/dead-end acoustics from the June 1982 archives of the late, great Recording Engineer/Producer (RE/P) magazine.
A wealth of knowledge on live-end/dead-end acoustics from the June 1982 archives of the late, great Recording Engineer/Producer (RE/P) magazine.
Get it done right is not cheap — but it will actually be less expensive in the long run
Standardized TrueFit line array systems offer an intermediate choice between the standard, 90-degree horizontal product and the fully customized system.
Resorting to equalization to resolve the “too much of a good thing” issues in sound reinforcement might not actually be the solution you’re searching for…
Online interactive design tool aids audio integrators in specifying the right sound reinforcement products for commercial audio applications.
Company owner John Moore selects user-friendly digital consoles for production and rental equipment inventory.
All the processing in the world won’t solve your problems if bad placement creates a system with inherent sonic errors.
Taking a deeper look into the effects of crossover filters on overall loudspeaker response.
K Series and X Series amplifiers selected to support production for 70s concert featuring Firefall, Poco & Pure Prairie League.
Classroom-style events offered in addition to online audio training, demonstrating practices applied to contemporary audio systems, with events scheduled for InfoComm 2017.
Presenting a comprehensive approach to sound system design from room acoustics to loudspeaker placement and system optimization.
Designers using Revit software can now access files for Iconyx Gen5 and VARIAi loudspeakers using Autodesk Seek for BIM files.
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