The “L” Word – Latency & Digital Audio Systems: Opening Pandora’s Box?
An attempt to remove some of the mystery and present a rational look at latency, it’s real effects, and how much can be tolerated by performers and audiences
An attempt to remove some of the mystery and present a rational look at latency, it’s real effects, and how much can be tolerated by performers and audiences
Using L-Acoustics’ SOUNDVISION acoustical modeling software, Clearwing’s Bryan Baumgardner designed a complementary delay system featuring four arrays of KARA: two main LR arrays each comprised of 12 cabinets, and two outer arrays of nine enclosures.
When I opened the file however, I was in for a bit of a surprise. The inventory was 24 pages long. This was a boat load of audio gear.
Gould a fan of ChannelStrip’s small footprint and easy to use interface.
20 seconds of precision delay and 1200 baud support added
The good news is that modern transducers are capable of higher SPL and mini line arrays of sufficient length can provide excellent sound reinforcement for smaller venues
Includes 10 construction kits (300MB per kit) suitable for use in all sequencers on both Mac and PC
New UA-4FX, UA-25EX, and UA-101 provide Mac and PC-based users affordable options to capture high-quality audio via USB
“We saw an opportunity to use Ashly’s new NE-series of network-ready amps to add grace to the system at no additional cost.” – Mark Showers, Sage Technology Solutions
This is the fourth in a series detailing the latest technology in wireless microphone systems. Click to read the other installments: AKG DMS 700; MIPRO ACT Digital; and Lectrosonics D4.
At the, 24 VERTEC VT4888DP-AN midsize powered line array elements, equipped with JBL DrivePack technology, were supported by 12 VT4880A full-size arrayable subwoofers driven by Crown I-Tech 8000 amplifiers
“I wanted to take the risk and try something new and powerful that had never been used in theatre before to create a more individual mix.” – Jason Barnes, Sound Designer
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